Share
MidReal Story
The Fury of the Beatles
Scenario:История "Битлз".
Create my version of this story
John Lennon
introspective, and creative. Born in Liverpool, John grew up during World War II, developing a unique perspective on life. He met Pete Shotton at school and became fast friends. After meeting Brian Epstein, John's career took off, and he became one of the most influential musicians of the 20th century. His solo work included "Imagine" and "Happy Xmas (War Is Over)."
Brian Epstein
shrewd, and compassionate. Born into a Jewish family in Liverpool, Brian was raised with traditional values but developed a liberal attitude toward sex and drugs. He discovered the Beatles at a concert hall and saw their potential for stardom. His leadership played a significant role in molding the group's image and securing their international success.
George Martin
patient, and encouraging. Born in Holloway, George began his career in London recording studios and later founded Sound Techniques Studio. He produced most of the Beatles' catalog, including "Sgt. Pepper's Lonely Hearts Club Band" and "Revolver." His collaboration with the band resulted in some groundbreaking sound effects and orchestral arrangements that enhanced their music.
I was born during the war, and my childhood was spent in a society that was slipping back into the dark ages.
The Second World War had just ended, and the country was in a state of austerity.
There were food rationing, clothes rationing, and petrol rationing.
The bomb sites were still evident, and the streets were filled with rubble.
It was a bleak time, but it was also a time of great hope and change.
New ideas were emerging, new technologies were being developed, and new music was being played.
As a child, I was fascinated by the world around me.
I spent hours watching the ships on the Mersey River and listening to the sounds of the city.
I loved to read and listen to music, and I spent many hours poring over my uncle’s record collection.
My favorite artists were Elvis Presley, Buddy Holly, and Little Richard.
While rummaging through my uncle's dusty record collection in his dimly lit attic, I noticed something peculiar.
There was a small gap between two albums, just large enough for a thin object to fit through.
I reached into the shelf, my fingers brushing against the worn edges of the records.
As I pressed deeper, my fingertips grazed something smooth and cool.
It felt like the surface of a record sleeve, but it was positioned behind the front row of albums.
My curiosity piqued, I carefully pulled out the hidden record and examined it more closely.
The cover was faded and worn, but I could still make out the iconic image of Elvis Presley.
His signature sneer and slicked-back hair were unmistakable.
But this wasn’t one of his popular albums that I had seen before.
It looked older, more vintage.
My hands trembled slightly as I delicately removed the record from its sleeve.
The vinyl was a deep black, almost like polished stone.
As I turned it over in my hands, I noticed the label at the center.
It read "Sun Records" and had a small image of a rooster on it. Suddenly, it clicked into place.
This was an original pressing of Elvis Presley’s first single, "That's All Right."
I couldn’t believe it – this record was over 20 years old and extremely rare.
I quickly made my way downstairs to the record player, gently placing the needle on the vinyl.
As the music crackled to life through the speakers, I held my breath in anticipation.
The music filled my aunt Mimi's living room, and Elvis's voice washed over me like a wave of pure energy.
The song was raw and emotive, with a hint of country twang.
As I listened, something inside me stirred.
I knew in that moment that I wanted to make music like this.
I wanted to feel the rush of adrenaline as I performed on stage, with the crowd cheering and clapping along.
I wanted to be Elvis Presley.
Without thinking, I grabbed my uncle's old acoustic guitar that was leaning against the wall.
It was a battered instrument with a few missing strings, but it looked like it had character.
I sat down on the couch and began to strum the strings, trying to mimic the sound of Elvis's guitar on the record.
It wasn't easy – my fingers were sore and uncoordinated, and the guitar felt heavy in my hands.
But I was determined to learn how to play.
For weeks, I practiced every day, teaching myself every chord and strumming pattern I could find.
My fingers bled and my back ached, but I didn’t care.
I was too busy learning how to play rockabilly rhythms. As the summer drew to a close, I began to think about performing live for the first time.
I had been practicing with a skiffle band at school, and we were all eager to take our music to the next level.
We decided to play at the Woolton Church fete, a local event that drew large crowds from all over Liverpool.
As we set up our equipment on stage, I couldn’t help but feel nervous.
This was my first real gig, and I wasn’t sure if anyone would even want to listen to us.
But as soon as we started playing, I knew that we had something special.
The crowd began to clap along with our songs, and soon they were dancing in front of the stage.
As we performed our final number, a girl in a yellow summer dress caught my eye from the crowd.
She had long blonde hair that cascaded down her back like a river of gold.
Her bright blue eyes sparkled in the sunlight as she watched us play. As soon as we finished our set, I made my way through the crowd towards her.
My guitar was still strapped across my chest, and my heart was pounding with excitement.