Share
MidReal Story
The Film Rebel
Scenario:Темная винтажная комната. Старый деревянный стол с кинопленкой. Пыльные лучи света пробиваются сквозь ставни. Камера медленно приближается к столу, на пленке мелькают кадры черно-белых фильмов. Яркая вспышка! Кинопленка распадается на пиксели, превращаясь в цифровые глитчи. Затем — плавный переход к современному миру цифрового кинопроизводства. Быстрая нарезка сцен:
Автоматическая раскадровка
Анализ сценария
Создание сметы
Рекомендации по локациям, актерам, реквизиту Камера отдаляется, показывая огромную вращающуюся шестеренку, в центре которой появляется название UFS. Динамичный, захватывающий ролик в таинственном стиле, но не мрачный.
Повествование через абстрактные кинематографичные сцены.
Минимум текста, максимум визуального погружения.
Музыка с напряжённой атмосферой.
В финале — появление названия платформы и кнопки «Начать».
Create my version of this story
Evelyn Hart
creative, and determined. Evelyn discovers UFS, a revolutionary filmmaking platform that streamlines production processes. She uses it to create a film about her grandmother's life, exploring themes of love and loss. As she delves deeper into the project, she faces challenges and learns valuable lessons about perseverance and storytelling.
Landon Brooks
experienced, and pragmatic. Landon helps Evelyn understand the industry's complexities and introduces her to UFS. He offers guidance on scriptwriting and budgeting while encouraging Evelyn to explore her creative vision. His presence provides stability and wisdom as Evelyn navigates the challenges of filmmaking.
Maeve Hart
loving, and nostalgic. Maeve's life story inspires Evelyne's film project on UFS. Her experiences during World War II serve as a backdrop for the film's narrative of love and loss. Maeve's legacy motivates Evelyne to tell meaningful stories that honor her memory.
A dark vintage room, old film reels sit on a table.
Dusty rays of light filter through the shutters.
The camera slowly zooms in on the table.
Flickering frames of black-and-white films dance across the filmstrip.
A bright flash!
The film disintegrates into pixels, morphing into digital glitches.
The flickering frames transform into a seamless stream of ones and zeros.
A rapid montage of scenes unfolds:
Automatic storyboarding, script analysis, budget creation, location, actor, and prop recommendations.
The camera pulls back, revealing a massive spinning gear at the center of which appears the name UFS.
Evelyne Hart sits in front of a computer, her fingers flying across the keyboard.
A script appears on the screen in front of her.
"Love and Loss," a title written by her.
Suddenly, a pop-up appears with suggestions for budget and locations.
"Click to accept," the option reads.
She clicks, and another window opens.
A graph displays the budget breakdown.
The screen flashes again, and a chart appears with options for cinematography and lighting.
Landon Brooks, a seasoned filmmaker and Evelyne's mentor, walks into the room.
"How does it work?"
Evelyne asks him, bewildered by the platform.
"It's simple," Landon explains.
"Just upload your script."
Evelyne uploads the file, and a chart appears displaying character arcs and scene breakdowns.
"Wow," she exclaims.
"This is incredible."
Landon leans in closer to the monitor.
"Now, let's set up the scene."
He points to a diagram of a living room.
"This is the scene where young Maeve reads her husband's wartime letters."
The UFS interface displays a 3D rendering of the scene, complete with vintage furniture and shadows stretching across the room.
Landon clicks through different lighting presets: harsh overhead lights, soft window diffusion, warm practical lamps.
Each change transforms the mood of the scene.
Evelyne notices how the shadows dance across the actress's face, emphasizing her emotional turmoil.
Landon adjusts the key light's intensity, striking a perfect balance between darkness and illumination.
The software automatically updates the budget and equipment list.
Evelyne turns to Landon, her eyes wide with realization.
"Does this mean we can create any scene we imagine?"
Landon nods, a hint of excitement in his voice.
"Yes, and it means we can tell stories that were once impossible to bring to life."
I delve deeper into the archival database, searching for period-accurate references.
As I scroll through the vast collection of digitized footage, an unfamiliar icon catches my eye.
"Historical Archives 1943" reads the label.
My cursor hovers over it, and Landon explains that this section contains wartime footage from the UFS platform's vast archives.
The office dims, and the screen flickers to life.
Grainy black-and-white footage fills the monitor.
A young woman in a nurse's uniform tends to a wounded soldier.
Their eyes meet, and a connection is made.
The quality and setting match my grandmother's stories perfectly.
My hands tremble as I recognize the nurse's familiar smile – it's Maeve, decades younger.
Evelyne gasps, turning to Landon with urgency.
"That's her, Landon! That's my grandmother!"
Landon's eyes widen in disbelief. "Are you saying this footage is real?"